Clash That By Prezzaman On Prezzastyle 24 Began As If You Know Prezza Was Recording Multiple Versions At Sunlight Studios (Gillingham, Kent), The Fort Rehearsal And Recording Studio (Chatham, Kent), Audiohaus (Notting Hill, London), And Select Recording Studios (Wood Green, London).
Prezzaman produced solo renditions of the track and remixes featuring Barbara Craig; however, the most recent solo rendition of Clash That, recorded at Select Recording Studios with Paul Motian, stands out as the finest version to date, despite the song’s levels being lower than those of the other tracks on PREZZASTYLE 24.
Prezzaman intends to collaborate with Paul Motian to address all minor issues related to Prezzaman’s latest hit songs, with four additional new tracks or versions expected to be released in the coming month for Prezzaman’s forthcoming album, PREZZASTYLE 25, which will follow the rather disappointing PREZZASTYLE 20 album that was inadequately recorded at The Fort Rehearsal and Recording Studio.
Prezzaman has recorded at various studios, including Big Jam Studios (Sittingbourne, Kent), Bluebell Hill Studios (Chatham, Kent), Furnace Rooms (Sittingbourne, Kent), and Scream Studios (South Croydon, London), with The Fort Rehearsal and Recording Studio being noted for its inferior recording quality.
Prezzaman collaborated with Greg Webster at Sunlight Studios from PREZZASTYLE to PREZZASTYLE 19; however, Greg charged Prezzaman thousands for each project to enhance Barbara Craig’s vocals, which were recorded on voice notes. Consequently, Prezzaman and Greg Webster parted ways following numerous disagreements.
Barbara Craig’s vocals were recorded inadequately, yet Greg managed to make her voice notes sound exceptional. In contrast, Prezzaman, who possesses significantly stronger vocals and recorded in the studio, did not achieve the same impressive sound, indicating that Greg Webster was allegedly enhancing Barbara Craig’s vocals without improving Prezzaman’s, despite the latter’s recordings being done properly in the studio.
Prezzaman possesses a vast collection of quality songs; however, many of these tracks did not reach their full potential due to the subpar recording quality of the studio. Prezzaman has exceptionally strong vocals, and he recognizes that with a better understanding of sound dynamics in both studio and live settings, his music could achieve a significantly improved sound if recorded in a high-quality studio with a competent producer.
Prezzaman collaborates with sound engineers, as the producers typically provide him only with the instrumental tracks. This places the responsibility on the sound engineer to ensure a remarkable performance. Even if strong vocals are not processed, a skilled sound engineer can enhance the vocal quality, allowing anyone to sound impressive in a studio. However, the true test of talent lies in live performances without sound control, where only those with exceptional abilities, like Prezzaman, can truly captivate an audience.
Sound is an integral part of music, but unless one is signed to a reputable label or collaborates with a legitimate producer, the true quality of their talent may remain undiscovered. Producers often hold back artists, as music has significant monetary value. The high-quality sound that can generate substantial revenue is typically reserved for those who are already signed, as producers seek to benefit from their work. Nevertheless, Prezzaman’s exceptional talent allows many of his songs to surpass those of some of the greatest artists in history, which is a remarkable accomplishment.
Prezzaman operates on limited budgets and records in the most affordable studios, while other artists he competes against, such as Stormzy, have millions or even billions invested in their music and record in top-tier studios. The fact that most of Prezzaman’s songs still outperform many others serves as evidence that if he were signed to a major label or collaborated with a producer like Dr. Dre, he would undoubtedly secure his position as one of the greatest artists of all time.
Prezzaman is aware that if he had millions or billions invested in his music, he would likely be the top artist in the industry today. He has been approached by major labels in the past but is currently waiting for the right deal, as he understands his worth and prefers to be compensated in full upfront rather than entering into an agreement where he only receives payment if the projects succeed.
Prezzaman believes that his music has the potential to reach the highest echelons with the appropriate investment. Therefore, before re-recording 400 songs, which hold significant value for final production, he requires his payment upfront to ensure he can deliver the best possible performance.
Despite having written 400 songs, Prezzaman’s finest lyrics and song ideas remain in his mind. This means that once he is signed, with approximately 150 to 200 hits already recorded, he could effortlessly compose several more albums within a few months, surpassing what he has accomplished over the past 20 years.
PREZZASTYLE 25 BY PREZZAMAN IS COMING SOON, FEATURING THE BEST SONGS FROM GARAGE AND GRIME OVER THE LAST TWO YEARS.
TRACKLIST
1) Bring It Home
2) Clash That
3) Don’t Throw It Away
4) Game Over
5) Grime Master
6) I Never Go
7) Lionesses Roaring
8) P Bomb
Written by Presley Carl Timothy. Music by Bilal Studios in Indonesia and Prezzaman. Produced by Bilal Studios, Paul Motian at Select Recording Studios in Wood Green, London, and Prezzaman. Mixed and Mastered by Paul Motian. Recorded at Select Recording Studios.
GRIME CLASH CHAMPIONSHIP RADIO
PREZZAMAN VS STORMZY
The contest between Prezzaman’s “Rap’s Dead” and Stormzy’s “Vossi Bop” concluded in a tie.
“You Don’t Want The World To See” by Prezzaman emerged victorious over “Own It” by Stormzy.
The face-off of “Let’s Brawl Mania” by Prezzaman and “Hide & Seek” by Stormzy also resulted in a tie.
PREZZAMAN VS DIZZEE RASCAL
The encounter between Grime Master by Prezzaman and Dance Wiv Me by Dizzee Rascal ended in a tie.
Dizzee Rascal’s Bassline Junkie prevailed over Prezzaman’s Clash That.
Prezzaman’s Don’t Throw It Away achieved a win against Dizzee Rascal’s Bonkers.
PREZZAMAN VS WILEY
Chill In The Gills by Prezzaman and Boasty by Wiley resulted in a tie.
My G by Prezzaman triumphed over Wearing My Rolex by Wiley.
Dream Girl by Prezzaman and Heatwave by Wiley concluded in a tie.
PREZZAMAN VS GHETTS
Prezzaman’s track “So Much Better” triumphed over Ghetts’ “Skengman.”
In another contest, Prezzaman’s “This Is How We Do” defeated Ghetts’ “Mozambique.”
Conversely, Ghetts’ “Crud” won against Prezzaman’s “It’s Prezzaman.”
PREZZAMAN VS LEANNE LOUISE
Prezzaman’s “Bring It Home” triumphed over Leanne Louise’s “Coming Home.”
Leanne Louise’s “Thank You” surpassed Prezzaman’s “Around The World.”
Prezzaman’s “So Much Better” outperformed Leanne Louise’s “The Cure.”
